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“... For some varieties of ‘new traveller’, as the guide books refer to him, fun, or value for money, can only be had when the going gets rough. He is, without question, a man. He likes to keep count of his change and clock up the kilometres. Once abroad he’s a seigneur of the road; the locals are vassals, trespassers, con-artists and thieves. The new traveller knows how to deal with them ...”

“... of national prosperity. A ragged girl in a Midlands nail factory was interviewed by Richard Henry Horne. She did not, he reported, ‘know what a country dance is, was never at a dance in her life; never saw a dance; never heard of Harlequin and Columbine; has no idea what they are like.’ Horne, peculiarly, is recalling ...”

“... is. The film is long (3 hours 29 minutes), and Scorsese, in a wonderful interview with Philip Horne (Sight and Sound, November) says how happy he and his great editor, Thelma Schoonmaker, were to be working for Netflix and not a movie studio. He was not, as Horne puts it, ‘under pressure to bring a film down in ...”

“... synagogues, soon built up in a warehouse at the Offenbach Archival Depot. In 1947, Joseph Horne, its director, took in twenty freight-cars of books and archives from Bavaria. Hannah Arendt and the Jewish historian Lucy Dawidowicz were among those who worked on the often agonising question of restitution. Where ...”